AN ANALYSIS OF ARCHETYPES AND CHARACTER ROLES IN THE MAIN CHARACTERS OF TITANIC (1997) - 2151800011

The aims of this research is to identify the types of archetypes using Carl Jung’s theory and the character roles of the main characters of the Titanic movie using Vladimir Propp’s theory. The research method used is qualitative research. The researcher collected the data using content analysis and docummentation which is supported by data collecting using a laptop, pen, notebook, and screenshot feature. The data source of this research is the Titanic movie and its script. The research data consist of dialogues of the main characters that contain archetypal and narrative role elements.
The researcher found 21 data. After analyzing 21 data found in this study, The results show six archetypes: Self, Ego, Shadow, Persona, Anima, and Animus. Jack shows 1 Self, 4 Ego, and 2 Anima, with Ego as the dominant archetype, showing that he is rational and conscious, but also balanced by Self and Anima, which make him sensitive and emotional. Rose shows 2 Self, 1 Ego, 2 Shadow, and 5 Animus, with Animus as the most dominant, showing courage and independence, while her Self, Ego, and Shadow reveal her emotions, fears, and growth into a strong woman. Cal shows 1 Persona and 3 Shadow, with Shadow dominating, reflecting his anger, jealousy, and controlling nature. His persona that appears once revealing how he hides his cruelty side behind a polite and wealthy image. For the character roles, five of Propp’s seven functions appear: the Hero, Villain, Donor, Princess, and False Hero. Jack appears as Hero (6) and Donor (1), showing that he is the main savior figure in the story. Rose appears as Hero (5) and Princess (5), showing her transformation from a character who needs help into one who acts bravely. Cal appears as Villain (2) and False Hero (2), showing both open cruelty and hidden manipulation. The findings show that Titanic centers on Rose’s transformation from a helpless Princess into a brave Hero, supported by Jack’s sacrifice and opposed by Cal’s cruelty.
Keywords: Titanic (1997), Archetypes, Character Roles